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Paul Voss and Marta Werner, in the introduction to a special issue of Studies in the Literary Imagination de- voted to "The Poetics of the Archive," claim that the revolution in writing technologies "has altered in still unimaginable ways our relationship to the archive."8 Literary scholar Alan Liu declares that the term archive has become a metaphor for what we are not yet able to grasp about the nature of digital collections.9 And in another technology-based formulation, social theorist Adrian Mackenzie finds that the centrality of the archive to cyberspace stems from the fact that existence in virtual culture is premised on a live connection.
These and other essays formulate or adopt such terms as the "social archive," the "raw archive," the "imperial archive," the "postcolonial archive," "the popular archive," "the ethnographic archive," "the geographical archive," "the liberal archive," "archival reason," "archival consciousness," "archive cancer," and "the poetics of the archive." 12 This terminology reflects the development of theories about the nature of the disci- plines and about what constitutes their legitimate objects of study.
Werner, "Toward a Poetics of the Archive: Introduction," Studies in the Literary Imagination 32, 1 (Spring 1999): ii.
; "Archive cancer" discussed in Lynch; and "The poetics of the archive" discussed in Voss and Werner.
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